Fireworks over the Chain bridge

Good that I did not go to take the photos of fireworks yesterday, as they ended up canceling them altogether due to bad weather. But I still was in the mood to edit another fireworks photos, so here is a photo I have not posted before. This one was taken during the St. Stephens day celebrations in Budapest, Hungary.

This is a single exposure, edited in Photoshop.

Fireworks wallpapers in 4K

As always, these are all in 3840x2160px, formatted for 4K, 16:9 displays. You can download them from the 4K wallpapers page.

The tiny cathedral

While I do use a tilt-shift lens all the time, I don’t do many tilt-shift photos. The problem is, if you use a wide lens, like the 17mm one I have, you can’t really create a nice miniature effect. You need to zoom in a bit, to compress the perspective. Without that, it just does not look right.

For this photo, I used a 90mm tilt-shift lens. This one works really well for creating miniatures, you just have to be a bit further away, as you can’t zoom out. This is a blend of three exposures, done in Photoshop.

Get better photos through glass

• Clean the glass – As a photographer, you probably carry a microfiber cloth with you anyway. So why not use it and clean the glass in front of your camera to get rid of fingerprints and other dirt from it. The cleaner the glass, the cleaner the photo.
• Use a bigger aperture – If you use a bigger aperture (smaller F-number), focus on something in the distance. Keep the camera close to the glass and the whole area of the glass will be completely out of focus. And that’s what you want. You don’t want to see the fingerprints or scratches in the photos. Like this, they will completely disappear.
• Put the lens right against the glass – The closer you have your camera to the glass, the less it will be visible in the photo. So try putting the lens right onto the glass wall or window (but first make sure your lens has a flat front, don’t try this with a fisheye). Like this, not only the glass will be out of focus, but you are blocking all reflections from the side of the lens.
• Turn off all the lights inside – If you can, especially in the evening and at night, turn off all lights. If it’s darker inside that it’s outside, you will get rid of most of the reflections. This is of course not possible if you are at a lookout platform or something similar.
• Shade the camera with a piece of clothing – To get rid of reflections, you can try to shade your camera with your jacket or other pieces of clothing. Just put the camera as close as you can to the glass, and then hold the jacket over it. Take a test shot and you will quickly see if it worked.
• Use a dedicated shade – If you tend to take many photos through the glass, I would suggest getting a dedicated shade, like the Lenskirt. I use it and it just makes the whole process very easy. Check out my review of the Lenskirt for more on this one.

If the window or wall is double glass, with space between, you are mostly out of luck. A lot of things just don’t work in that case. You can try all these tips then.  But if there is a gap between the glass, there will always be a reflection there. Turning off lights and shading as many areas as you can works the best here, but don’t expect great results.

Btw. the photos in this post were taken through glass walls, both with the help of the Lenskirt.

The SNP bridge

I used this photo as an example in yesterday’s article on blending using luminosity selections, but I did not include the final edited version of it. So here it is. Actually, compared to the blend I have shown there, I only edited it as shown in this article on editing using luminosity selections. I used Levels to brighten the dark areas more and add contrast to them, and I also used color balance to make the dark areas colder.

This is a blend of three exposures, done in Photoshop.