Evening clouds over Bratislava

This is a quite common view of Bratislava now, after they replaced the Old bridge. For few years, with the old bridge closed off, and then being completely gone, this view was not accessible at all. Still, with the trams passing quite frequently on the bridge, getting a nice evening photo is not that easy. The bridge can shake like crazy. Even with this photo, I started editing a different shot, and then I noticed that the bracket were completely miss-aligned and bury. Luckily, I tend to do multiple shots in places like this, to be sure one is good enough. And one was.

This is a blend from three exposures, done in Photoshop.

Spring themed mobile wallpapers

And here are the wallpapers. I kept them bright and colorful, perfect for a Spring feeling :)

Early morning in Downtown Dubai

Let’s stop by Dubai in today’s photo. This one was taken a year ago, very early in the morning, right as the sky started to brighten for the sunrise. It was not the easiest shot to take. Right in the middle of where I was standing, is a camera overlooking the area. It would be ok, if there was not a huge cover on it. It really is in the way. Even with a very tall tripod, I could not get over it. So in the end, I took the shot handheld. I stood as close as I could, and braced myself against the camera cover. Not everything worked perfectly, but after few tries, I got few shots I could use.

This is a two shot blend, done in Photoshop. This series was three shots, but one was blurred as I could not hold it still. Luckily I did not need it.

Editing photos using luminosity selections

Let’s start with a photo in the state we left in the last post. Go into the channels window, and create the Bright 1, Bright 2, Bright 3 and Dark 1, Dark 2 and Dark 3 channels. Each time from now on, when we need to select a certain one, just go back to selections and Ctrl+click on the one you want to select.

There are two ways we can approach editing from here on. Either we want to effect the whole selection, or just paint in a part of it, exactly where we need it. The process is a bit different for both of these, so let’s look at them now.

Global edits on whole selection

When you want to effect the whole selections, the two steps you have to do are:

• Select the luminosity selection you want to use – Go into the channels window, and Ctrl+click on the selection you want to use. Go back to the layers window afterwards
• Add the edit you want to use – Create new fill or adjustment layer, by using the button (circle icon, half white, half black) in the bottom right. You can use any adjustment you need. The selection will be automatically added a layer mask to the new layer and you can then edit your adjustment.

Let’s look at an example to understand this. For this photo, I want to brighten the shadow areas and I want to darken the highlights. Let’s start with the shadows.

1. Go into the channels, and select a Dark selection. The more restrictive selection you choose, the less efect your edit will have. So if you go to Dark 3, or even 4,5 and higher, you effect only the very dark areas in the photo. For this example, let’s choose Dark 2. Ctrl+click on the channel with that selection
2. Go into layers and add a Brightness/Contrast adjustment layer (one can use also other adjustments, like curves or levels to get the same effect). A new layer will be created with the mask applied to it.
3. Now in the properties of that layer, adjust brightness to make the shadow areas brighter. You will see, that the bright areas of the photo are not effected at all and only the shadows are brightened.

Going to the second edit, darkening the highlights, just do the same, just change the selection and the adjustment. For instance, select a Bright 2 selection, create a Brightness/Contrast adjustment layer and lower the brightness. And you have darkened the highlights of the photo.

Don’t limit yourself to just darkening and brightening a certain area. You can use this to change the color balance, saturation, detail, white balance and much more. Just use the adjustment layer you need. Also, one note about changing the brightness. Each time you brighten a dark area or darken a bright area, you photo looses contrast. A good practice is then, that every time you do this, to add a bit of contrast to the same area. If you use Brightness/contrast, add a bit of contrast, in levels, move the mid-tones a bit, in curves, create a S curve. Like this, your edits will look natural and photos will not become grey and flat.

Local edits by painting in the effect

If you don’t want to use the whole selection, the process is a bit different. The steps you have to follow then are:

• Create an adjustment layer – In the layers window, create the adjustment layer you need, and set it to parameters you need. It will effect the whole image, but that is OK for now.
• Add a black mask to it – We need to hide this layer for now. So click on the white mask next to this layer, and press Ctrl+I to invert it to a black mask
• Make a luminosity selection in the Channels window – as before Ctrl+click on the Bright or Dark channel that closely matches the part of the image you want to edit. This will create a selection for you.
• Paint in the edit – now go back to the layers window, choose the Brush tool, white, 0% hardness. Select the black mask you inverted before and start painting in the areas you want the edit to have effect. If the marching ants of the selection are distracting or in the way, you can hide them by pressing Ctrl+H. The selection will limit where you can paint, so you will only effect the area you need to.

Let’s go back to our example. Let’s say I still want to brighten the shadows, but not everywhere. I want to just brighten them around the buildings in the middle of the photo. I will use levels in this example

1. create and edit a new adjustment layer – With the button in the bottom right of the layers window, create a new levels adjustment layer. Brighten the photo by moving the white triangle to the left
2. invert the mask – Select it’s mask, and press Ctrl+I to invert it. Now the adjustment layer will have no effect on the image
3. create your selection – Go into channels and let’s select the Dark 2 one by Ctrl+click on it
4. paint in the effect – go back to the mask, hide the selection with Ctrl+H, and with the white brush start painting around the are you want to brighter. The more times you paint over a spot, the stronger effect the adjustment will have on it. But it’s all limited by the selection, so for instance the bright castle in the middle will not be effected at all.

If you ever add to much, just switch your brush to black color, and paint over the same spot. By switching back and forth between white and black, you can add or remove the effect until you are satisfied with your result. If you see that you selection is too narrow or broad, delete the layer and start again. Don’t forget you can use this with any other adjustment. You can paint in saturation, detail, colors, brightness, contrast and anything else you can put on a layer.

Evening at the Matthias Church

I had a really “nice” surprise this morning. When I went to turn on my PC, I found out my 34 inch monitor was dead. Would not turn on at all, not even the led light. Not really happy about that. Luckily, I have been using 2 monitors for a while now, so I can work still on my secondary one. But using a 24 inch monitor on it’s own is really a huge change. This is actually the first time I had problems with a monitor. There even is a monitor I bought in 2006 that is still being used on daily basis and works fine. But looks like 4 years was max for this one.

Now I’m not sure if I will go a get a new one, or maybe just get a second 24 inch to go with the one I have now. Or maybe I just stay with this one for now. It’s strange to go to a smaller one, but one gets used to things very quickly. But I do like how clean and empty my desk looks now. So much more minimalist :) Will be hard to decide.

For today I have for you another photo from my archives, taken few years back in Budapest, next to the Matthias Church. It was taken from the walkway that is available on the Fisherman’s bastion there. This is a two shot vertorama, with the top being from a single exposure, and the bottom from three. These three exposure were all taken at the same settings, I did not use them to recover highlights or shadows, but to get rid of the moving people in the photo. If you want to know more about this technique, check out this guide.